From jhunix.hcf.jhu.edu!guit Sat Jul 31 13:13:41 1993
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From: bondy stephen russell
To: Multiple recipients of list
Subject: TAB: Registro
Date: Sat, 31 Jul 1993 13:13:09 -0400
Status: OR
Greetings,
My conscience finally got to me and I feel the need to start to repay all
the people whose tab I've stolen from this list and else where.
This serves as my first attempt at ASCII tab. It may seem a
little crowded, but I didn't want to split up individual bars,
nor did I want just one bar per line.
The @ signs at bar 15 are meant to look like a repeat symbol :')
but they don't do a very good job.
About the piece itself. It is called Resgistro, and it is by
Antonio Lauro. It is one of my favourite pieces in the whole
classical repertoire.
Rhythmically, the entire piece is straight sixteenth notes, but,
all the way through the piece calls for rubato. It is not meant
to be played metronomically.
Have fun.
*****************************************************************
Registro
by Antonio Lauro
tabbed by
Stephen Bondy
s=slur, pull or hammer depending
sl=slide
1 s sl s s
|----------2-0------s-------------|-----------4-7--11-9-----8-6------|
|--------------0---2-0------s-----|---------4-----------9----s--6----|
|@-------1-------1-----1---2-1----|-------4---------------9-8-6---6--|
|@-----2-----------------2-----2--|-----4-----------------------6----|
|----2---------------------------2|---6-------------0-------------8--|
|--0------------------------------|-4-----------------------6--------|
3
|----------------------------------|----------0-----------0----------|
|-----0--------0--------0-------0--|--------3-----3-----3---------3--|
|-------0--------0--------0-------0|------0-----0-----0---------0----|
|---0-------0---------0-------0----|----4-----------4---------4------|
|----------------------------------|--2---------------------2--------|
|-8-------9--------10-------7------|0--------------------------------|
5
|-----------0-----------0---------|----------0-----------0-----------|
|---------3-----3-----3---------3-|--------0-----0-----0---------0---|
|-------0-----0-----0---------0---|------2-----2-----2---------2-----|
|-----4-----------4---------4-----|----0-----------0---------0-------|
|---2---------------------2-------|--3---------------------3---------|
|-0-------------------------------|1---------------------------------|
7 s
|---------------------2-0------s--|--s---s---------------------------|
|-------------------0---------5-3-|-3-1-0-1---0--s-------------------|
|------------s-s--0---------3-----|---------2---0-2---0--s---s-------|
|------s-s--0-1-3---------3-------|-----------------3---1-3-0-1--s---|
|--s--0-1-3-----------------------|-0---------------------------1-3--|
|-2-3-----------------------------|----------------------------------|
sug. L.H. fing: 2 1 3or4
9 s
|------0---7----12-10-8-------s------|------0---5---10-7-------5------|
|--0---------10---------8---10-8-----|--0---------8--------5-------5--|
|----2---7----------------9------9---|----2---5----------5---5---6---7|
|0------------------0--------------10|-0---------------0--------------|
|------------------------------------|--------------------------------|
|------------------------------------|--------------------------------|
11
|-3--------1----------------------|-------------------------0--------|
|-----1-------1-------3-------1---|-0-------0-------0-----3-------3--|
|---2---2---3---3-------5-------3-|---0---0---0---0-----0-------0----|
|-0-----------------4-------2-----|-----4-------4-----4-------4------|
|-----------------0-------0-------|---------2------------------------|
|---------------------------------|-0---------------0----------------|
13 ENJOY THIS BAR!!!!!!!
|-------------------------0-------|-----------0---4---0--------------|
|-0-------0-------0-----3------3--|-0-------0---7---7---0------------|
|-------2-------2-----2------2----|-------1---------------1---1------|
|-----0-------0-----0------0------|-----4-------------------4-----4--|
|---3-------3---------------------|---2-------------------------2----|
|-1---------------1---------------|-0--------------------------------|
15 s
|-----------0---4---0-------------|---------2-0------s---------------|
|---------0---7---7---0-----------|-------------0---2-0------s-------|
|-------1---------------1---1----@|-------1-------1-----1---2-1------|
|-----4-------------------4-----4@|-----2-----------------2-----2----|
|---2-------------------------2---|---2---------------------------2--|
|-0-------------------------------|-0--------------------------------|
sl s s
|----------4-7--11-11-9-----8--6----|---------------------------------|
|--------4--------------9----s---6--|-----0-------0--------0-------0--|
|------4------------------9-8--6---6|-------0-------0--------0-------0|
|----4---------------------------6--|---0-------0--------0-------0----|
|--6----------------0--------------8|---------------------------------|
|4--------------------------6-------|-8-------9-------10-------7------|
H. 12 H.5---
|-----------0-----------0------0---|----------------------------------|
|---------0---0-------0------0-----|-0--------------------------------|
|-------0-------0---0------0-----0-|----------------------------------|
|-----4-----------4----------------|----------------------------------|
|---2------------------------------|----------------------------------|
|-0--------------------------------|-0--------------------------------|
(Low E is not
a Harmonic)
At the very end, that is 3 harmonics at the 12th fret, followed by two
at the fifth fret, just in case my TABbing wasn't clear.
Please, please please enjoy.
Any questions, comments or criticisms or etc., contact
Steve Bondy
bond1867@mach1.wlu.ca
+ írj egy javítási javaslatot
Hibajavítás
A javítás folyamata:
Írd le a javaslatodat, és ha megfelelő számú ember hasznosnak találja, e-mail-ben kapsz felkérést, hogy vezesd át a módosításokat.
Ehhez a tabhoz még nincsen hibajavítási javaslat.
Kommentek
Ehhez a tabhoz még senki sem írt megjegyzést.
Kommentek
Á, hagyjuk... Beküldöm!