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Michael Hedges: Ritual Dance
guitar tab

          
          
          
          
          From cs.unr.edu!ivo Thu Jun 23 15:20:13 1994
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Date: Thu, 23 Jun 1994 15:19:51 -0400
From: "Ian (Ivo) Veach" 
Subject: Ritual Dance
To: Dean Gaudet 
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"Ritual Dance" by Michael Hedges

As Transcribed (at least attempted) by Rob McAlister

This is meant as a guide as the strummings are difficult to write out.

TUNING: DADGCC, low to high (The two C's are the same pitch.)

SYMBOLS:
^ = Harmonic
h = hammer
s = slide
p = pull off
S = knock side (left hand)
T = knock top (right hand)


Intro:
       S T			    S T			       
C||-^3---------------------------^5---------------------------|
C||-^3---------------------------^5---------------------------|
G||-----------------------------------------------------------|
D||--------h3-3s5-5-5-5-12p0-0-0--------h3-3-3-3s5-5-5-5p0-0--|
A||--------h3-3s5-5-5-5-12p0-0-0--------h3-3-3-3s5-5-5-5p0-0--|
D||--------h3-3s5-5-5-5-12p0-0-0--------h3-3-3-3s5-5-5-5p0-0--|
     | |_| |  |_| | |_|  |_|_|_|  | |_|_|  |_|_|_| |_|_|_| |   
	

     S T		      T   T			       
|-^9---------------------------^12-----------------------------|
|-^9---------------------------^12-----------------------------|
|--------------------------------------------------------------|
|--------h3-3-3-3s5-5-5-5p0-0---------h3-3-3-3s5-5-/-12--0-----|
|--------h3-3-3-3s5-5-5-5p0-0---------h3-3-3-3s5-5-/-12--0-----|
|--------h3-3-3-3s5-5-5-5p0-0---------h3-3-3-3s5-5-/-12--0-----|
   | |_|_|  |_|_|_| |_|_|_| | |_|_|    | |_|_|_| |    |  |   



fig. A
|-2-/5-5-7-0-------------------2-/5-5-7-0--------------------|
|-2-/5-5-7-0-------------------2-/5-5-7-0--------------------|
|------------------------------------------------------------|
|------------h3--3-3s5-5-5--0-------------h3-3-3s5-5-5--0----|
|------------h3--3-3s5-5-5--0-------------h3-3-3s5-5-5--0----|
|------------h3--3-3s5-5-5--0-------------h3-3-3s5-5-5--0----|
  |  |_|_|_|  |  | |_| |_|  |  |  |_|_|_|  | | |_| |_|  |


					     fig. b	     |-9----12-0-2-4----------0-0-2---0-0-2--------2--5-5-7-0---------------|
|-9----12-0-2-4----------0-0-2---0-0-2--------2--5-5-7-0---------------|
|---10------------------------0h3----------------------------2p0--0----|
|----------------2-2-2-2s0--------------0--0-------------h3-3-s-5-5--0-|
|----------------0-0-0-0-0-1------------0--0-------------h3-3-s-5-5--0-|
|----------------------------------0----0--0-------------h3-3-s-5-5--0-|


|-2--5-5-7-0-----------------9----12-0-2-4---------0-0-2---0-0-2--|
|-2--5-5-7-0-----------------9----12-0-2-4---------0-0-2---0-0-2--|
|----------------2p0--0--------10-----------------------0h3-------|
|------------h3-3-s-5-5--0-----------------2-2-2-2s0--------------|
|------------h3-3-s-5-5--0-----------------0-0-0-0-0-1------------|
|------------h3-3-s-5-5--0-----------------------------------0----|


fig. c (play twice)
||------5-4-2-0-------------------------------------------5-4-2-0------------|
||------5-4-2-0-------------------------------------------5-4-2-0------------|
||-------------0-2-2-2-2-0---0-2-2-2-2-0----2-2-2----------------0-2-2-2-2-0-|
||-0--0--------3-3-3-3-3-3---3-3-3-3-3-3--2-3-3-3-3-2-0-0--------3-3-3-3-3-3-|
||-0--0--------3-3-3-3-3-3---3-3-3-3-3-3--0-3-3-3-------0--------3-3-3-3-3-3-|
||-0--0--------3-3-3-3-3-3---3-3-3-3-3-3--0-3-3-3-------0--------3-3-3-3-3-3-|


			      fig. d (not quite right but similar)
|---------------------0--2--||----------------------0------------------------|
|---------------------0--2--||----------------------0------------------------|
|-0-2-2-2-0----2-2-2--------||------------------------4-0--------------------|
|-3-3-3-3-3--2-3-3-3--2--0--||-h1-1-1-1s3-3-3-3s5-5-------h1-1-1-1s3-3-3-3s5-|
|-3-3-3-3-3--0-3-3-3--------||-h1-1-1-1s3-3-3-3s5-5-------h1-1-1-1s3-3-3-3s5-|
|-3-3-3-3-3--0-3-3-3--------||-h1-1-1-1s3-3-3-3s5-5-------h1-1-1-1s3-3-3-3s5-|



|---0---------------------------0------h7-7-7-------7-7-7------------|
|---0---------------------------0------h7-7-7-------7-7-7------------|
|-----4-0-------------------------4-0--h7-7-7-------9-9-9------------|
|-5--------h1-1-1-1s3-3-3-3s5-5--------h7-7---7-7-7--------0-0-------|
|-5--------h1-1-1-1s3-3-3-3s5-5--------h7-7---7-7-7--------0-0-------|
|-5--------h1-1-1-1s3-3-3-3s5-5--------h7-7-- 7-7-7--------0-0-------|

After playing up to this point, play: fig. a, fig.c, fig. d (change the last
three strums of C-C from 7th to 9th), fig. b (play the part starting at 
the 9th fret twice), then the ending:

|---------0-0--2-2------------------0-0--2-2--------------------------------|
|---------0-0--2-2------------------0-0--2-2--------------------------------|
|---------------------------------------------------------------------------|
|-h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5-5-5--0-0-0-|
|-h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5-5-5--0-0-0-|
|-h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5--0------0-0-0-0h3-3-3s5-5-5-5--0-0-0-|


     S T	  		     S T	
|-^3------------------------------^5-------------------------------|
|-^3------------------------------^5-------------------------------|
|------------------------------------------------------------------|
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3-3-3-3s5-5-5-5p0-0-0-0-|
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3-3-3-3s5-5-5-5p0-0-0-0-|
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3-3-3-3s5-5-5-5p0-0-0-0-|
   			    	
     S T	      	 	  T   T	
|-^9-------------------------------^12-----------------x--||
|-^9-------------------------------^12-----------------x--||
|------------------------------------------------------x--||
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3--3-3s5-5--x--||
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3--3-3s5-5--x--||
|--------h3-3-3-3s5-5-5-5p0-0-0-0---------h3--3-3s5-5--x--||
						    	



From DESIRE.WRIGHT.EDU!taproot-error Mon Jul 11 21:49:48 1994
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Date: Mon, 11 Jul 1994 21:48:22 -0400
From: Ken Kwartler 
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Subject: Ritual Dance Marathon
To: taproot@DESIRE.WRIGHT.EDU
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Ok, Hedgers and Hedgehogs, I've got a question.  For years I've been working on
my own deconstruction of Ritual Dance, one of my favorite pieces.  It amazes me
how much goes on in that song in only 2:18 or so.

One part of the song has given me particular trouble.  I'm hoping that there
may be a few others out there who've also tried to decode it, and can offer me
some guidance.

The piece in question is a small part of the end of the "verse" (for want of a
better term) portion.  The "verse" is to me the main
figure which goes something like (forgive my lack of tab experieince; I've
probably condensed some time signatures and failed to indicate some repeated
notes):

2-55-7-0 - - ------2-55-7-0------------12-0-2-4-----
2-55-7-0 ---- - ---2-55-7-0------------12-0-2-4-----
2-55-7-0 - ---- ---2-55-7-0------------10-----2 ----
--------333--555-0----------333--555-0-10-----2 2222
--------333--555-0----------333--555-0--------------
--------333--555-0----------333--555-0--------------

>From here, one approach goes:

00-------2
00-------2
55-7-----2
33-5--00-0
00-55-33-0
00-55-00-0

Whereas another goes:

00-2--00-2
00-2--00-2
00-3--00-2
00-0--00-0
00-------0
00-------0

This may not be decipherable, but I'm curious what turn your deconstruction of
the piece takes at this point?

MH does this piece so quickly he seems like a blur at this juncture.  He seems
to be doing something on the lower 3 strings around the 7th or 8th fret, but
may simply be playing the --0322 figure in the second example as -087--. From
the recording, it also sounds possible that he is doing different figures at
this juncture later in the piece.

I have a gig next Wednesday, and I'm toying with doing this piece, so any
timely advice would be much appreciated.  Many thanks!

 - Ken




From watserv2.uwaterloo.ca!crusher.gan.nf.doe.ca!gashw Thu Dec 15 10:51:20 1994
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Status: OR

In this transcription I didn't bother marking the percussive
tapping of the top and sides of the guitar. Where it goes,
everyone knows.:-)
I've tried to pay particular attention to sections 'E'and 'J'
where some discrepancies in interpretation seem to exist.
There is also an inferred slide in section 'A' between the 5th fret
and open string notes stopping somewhere, anywhere, between the
8th and 12th fret.
The end at section 'M' has a simultaneous pick attack with the pull
off to produce the big glorious noise.

Note regarding section 'J': the barred "pull-off" starts at the
heaviest string and works its way down successively. Each note is
played quickly making a BARRUMPF sound. The same applies in sections
'E' and 'M'.

Ritual Dance

Tuning - DADGCC

Roadmap - A,B,C,E,F,C,E
          G,H,G,I,G,H,G,I
          J,J,J,K,B,C,E
          G,H,G,I,G,H,G,I
          J,J,J,K,F,D,E,D,E
          L,A,M

Keycode - (number) - harmonic
          (letter) - section name
          > - slide
          H - hammer on
          P - pull off


 (A)
|-(3)--------------(5)--------------(9)--------------(12)-------------|
|-(3)--------------(5)--------------(9)--------------(12)-------------|
|-(3)--------------(5)--------------(9)--------------(12)-------------|
|-----3-333-5-55-0-----3-333-5-55-0-----3-333-5-55-0------3-333-5-55--|
|-----3-333-5-55-0-----3-333-5-55-0-----3-333-5-55-0------3-333-5-55--|
|-----3-333-5-55-0-----3-333-5-55-0-----3-333-5-55-0------3-333-5-55--|


 (B)
|-2->55->7-0--------------2->55->7-0-------------|
|-2->55->7-0--------------2->55->7-0-------------|
|-2->55->7-0--------------2->55->7-0-------------|
|-----------3-3-3--5-5-0------------3-3-3--5-5-0-|
|-----------3-3-3--5-5-0------------3-3-3--5-5-0-|
|-----------3-3-3--5-5-0------------3-3-3--5-5-0-|


 (C)  (D)      (E)
|-9--|---(12)-|-0-2-4-444-P2P0----------0-2-22-|
|-9--|-9------|-0-2-4-444-P2P0----------0-2-22-|
|-10-|--10----|-0-2-2-222---P0---7-7----0-2-22-|
|----|--------|---2-2-222---P0--8-88-P0------0-|
|----|--------|-----0-000-------8-88-P0------0-|
|----|--------|-----------------8-88-P0------0-|


 (F)
|-2->55->7-0--------------2->55->7-0-------------|
|-2->55->7-0--------------2->55->7-0-------------|
|-2->55->7-0---2P0--0-----2->55->7-0---2P0--0----|
|------------3-----5-5-0-------------3-----5-5-0-|
|------------3-----5-5-0-------------3-----5-5-0-|
|------------3-----5-5-0-------------3-----5-5-0-|


 (G)                              (H)    (I)
|-5-4-2-0------------------------|------|-0--2-|
|-5-4-2-0------------------------|------|-0--2-|
|-2-2-2-0-0-H2-2--0-H2-2--0-H2-2-|-0--2-|-0--2-|
|---------3----3--3----3--0----0-|----0-|----0-|
|---------3----3--3----3--0----0-|----0-|----0-|
|---------3----3--3----3--0----0-|----0-|----0-|


 (J)                   (K)
|--------------------|-77-77-7-|
|--------------0-----|-77-77-7-|
|---------------4-0--|-77-77-9-|
|-1-3>5-3P0-55-------|-77-77-7-|
|-1-----3P0-55-------|-77-77-7-|
|-1-----3P0-55-------|-77-77-7-|


 (L)                                      (M)
|----------0-2----------0-2--------------|------|
|----------0-2----------0-2--------------|----0-|
|----------0-2----------0-2--------------|----0-|
|-3-3-5-5P0----3-3-5-5P0----3-3-5-5P0-00-|--5P0-|
|-3-3-5-5P0----3-3-5-5P0----3-3-5-5P0-00-|--5P0-|
|-3-3-5-5P0----3-3-5-5P0----3-3-5-5P0-00-|--5P0-|

Warren Gash
gashw@crusher.gan.nf.doe.ca

END


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