Leo Kottke: Busted Bicycle

guitar tab

          
          
          
          
          From kucera@nlm.nih.gov Mon Feb  6 08:00:07 1995
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Date: Mon, 6 Feb 1995 10:56:59 +0500
From: kucera@nlm.nih.gov (Richard Kucera)
Message-Id: <9502061556.AA20585@rad.csb>
To: Dean Gaudet 
Subject: busted_bicycle.ptab
Content-Length: 7191
Status: R

Here's a partial tab for the live version
of Kottke's Busted Bicycle.  The rest of the
live version corresponds more or less to the
tab for the 6 & 12 String version(available from
Accent on Music,  address and other info given
below)  except for a few variations
which are easy to distinguish at normal speed.
And this live version is on at least two
"Best of..." releases.

Leo changes where he applies damping,  accenting,  
and that special striking of the open 1st string 
to make the strobe-like *busted* rhythm more 
effective than on the 6 & 12 version.  
The end is different too.

The tuning is open-C.  

here's one substitution for the Hanson tab:

ff

   >       >          >             >           >              >
-------X------------------------|-------X--------------------------
-------X---0---.------0---------|---0---X-------0--------------0---
-------X-------0------0--.---0--|---0---X-------0-------0----------
-------X---0-------------0------|-------X---0----------------------
-------X------------------------|-------X------------------0-------
---0---X----------0-------------|---0---X-----------0--------------
   |___|   |___|  |___|  |___|      |___|   |___|   |___|  |___|


           >           >               >           >             
---------------------------X-------|---0---X-------------------------
-----------0---.-------0---X-------|---0---X-------0--------------0--
-------0-------0-------0---X---0---|-------X-------0-------0---------
-----------0---------------X-------|-------X---0--------------0------
---------------------------X-------|-------X-------------------------
---0---------------0-------X-------|---0---X-----------0-------------
   |___|   |___|   |___|   |___|       |___|   |___|   |___|  |___|


or this one:

ff

   >       >          >             >           >              >
-------X------------------------|-------X-----------X--------------
-------X---0---.------0---------|---0---X-------0---X----------0---
-------X-------0---------.---0--|---0---X-------0---X---0----------
-------X---0-------------0------|-------X---0-------X------0-------
-------X------------------------|-------X-----------X--------------
---0---X----------0-------------|---0---X-----------X--------------
   |___|   |___|  |___|  |___|      |___|   |___|   |___|  |___|
 
 
           >           >               >           >
---X-----------X-------0---X-------|---0---X-------------------------
---X-------0---X-------0---X-------|---0---X-------0--------------0--
---X---0-------X-----------X---0---|-------X-------0-------0---------
---X-------0---X-----------X-------|-------X---0--------------0------
---X-----------X-----------X-------|-------X-------------------------
---X-----------X---0-------X-------|---0---X-----------0-------------
   |___|   |___|   |___|   |___|       |___|   |___|   |___|  |___|
 
 
or this one:

ff

   >       >          >             >           >              >
-------X-------X---------X------|-------X-----------X--------------
-------X---0---X------0--X------|---0---X-------0---X----------0---
-------X-------X---------X---0--|---0---X-------0---X---0----------
-------X---0---X---------X------|-------X---0-------X------0-------
-------X-------X---------X------|-------X-----------X--------------
---0---X-------X--0------X------|---0---X-----------X--------------
   |___|   |___|  |___|  |___|      |___|   |___|   |___|  |___|


           >           >               >           >             
---X-------0---X-----------X-------|---0---X-----------X-------------
---X-------0---X-------0---X-------|---0---X-------0---X----------0--
---X---0-------X-------0---X---0---|-------X-------0---X---0---------
---X-------0---X-----------X-------|-------X---0-------X------0------
---X-----------X-----------X-------|-------X-----------X-------------
---X-----------X---0-------X-------|---0---X-----------X-------------
   |___|   |___|   |___|   |___|       |___|   |___|   |___|  |___|


or here's a surprise:

ff

   >       >          >             >           >              >
-------X------------------------|-------X-----------X--------------
-------X---0---.------0---------|---0---X-------0---X----------0---
-------X-------0---------.---0--|---0---X-------0---X---0----------
-------X---0-------------0------|-------X---0-------X------0-------
-------X------------------------|-------X-----------X--------------
---0---X----------0-------------|---0---X-----------X--------------
   |___|   |___|  |___|  |___|      |___|   |___|   |___|  |___|


           >           >       >               >                 
---X-----------X-----------X---0---|---X-----------------------------
---X-------0---X-----------X---0---|---X-------0------------------0--
---X---0-------X-------0---X-------|---X---0---0---------------------
---X-------0---X-----------X-------|---X-----------0-------0--0------
---X-----------X-----------X-------|---X-----------------------------
---X-----------X---0-------X---0---|---X-------0-------0-------------
   |___|   |___|   |___|   |___|       |___|   |___|   |___|  |___|


and the ending directly follows something like the third variation
above(the one with the mute right before the last three notes of 
the last measure):

---X---------------X---------------|---X---------------X-------------
---X-----------0---X-----------0---|---X-----------0---X----------0--
---X---0-----------X---0-----------|---X---0-----------X---0---------
---X-------0-------X-------0-------|---X-------0-------X------0------
---X---------------X---------------|---X---------------X-------------
---X---------------X---------------|---X---------------X-------------
   |___|   |___|   |___|   |___|       |___|   |___|   |___|  |___|

                                       fff
                                       
---X---------------X---------------|---------------------------------
---X-----------0---X-----------0---|---3b(4)~------------------------
---X---0-----------X---0-----------|---0-----------------------------
---X-------0-------X-------0-------|---0-----------------------------
---X---------------X---------------|---0-----------------------------
---X---------------X---------------|---0-----------------------------
   |___|   |___|   |___|   |___|                                   



Enjoy!

---------Accent on Music, Dept. FTP, P.O. Box 417, Palo Alto, CA 94302-0417
            (from an ad in "Sing Out!", 11/91, p. 39)
            "Tape + TAB"(tm) The Acoustic Musician Audio Tape + TAB Series
            (Mail order only, $19.95, 2 for $37.90, 3 for $56.85,
             CA residents add $1.30 state sales tax per set)

#40)  1991   Tape + TAB(tm) Standard Tuning (T101)
---
#40.   1   CS/TB Theme from the "Rick and Bob Report"
#40.   2   CS/TB A Trout Toward Noon
#40.   3   CS/TB William Powell

#41)  1991   Tape + TAB(tm) Drop-D Tuning (T102)
---
#41.   1   CS/TB Times Twelve
#41.   2   CS/TB First To Go
#41.   3   CS/TB Little Beaver
 
#42)  1991   Tape + TAB(tm) Altered Tunings (T103)
---
#42.   1   CS/TB Busted Bicycle
#42.   2   CS/TB Jesu, Joy Of Man's Desiring
#42.   3   CS/TB Crow River Waltz
 

Richard Kucera
kucera@nlm.nih.gov

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